c86:

Taken from David Moore’s Pictures from the Real World, 1988

via ASX

Reblogged from TOMBOLARE
There is no such thing as a tradition-free Christianity. Oddly enough, I began to discover this when I started to study the Trinity. I felt my modalism pushed out by the likes of Tertullian and Athenagoras. When I began to read Irenaeus, I was pushed to the wall of accepting Apostolic Succession. By the time I got to the Fourth Century, I was hopelessly holding on to a feeble attempt at denying what would soon become a reality — if we deny ourselves the experience of Christian Tradition, we will ourselves become our own tradition. And this is important. Because if we are ourselves our own tradition, then it is not the needed democracy, but rather a dictatorship — a monarchy stripped of purpose and beauty with only violent power remaining.
Reblogged from AZspot
sculpture-center:

Yuki Kimura, Untitled, 2010. Two lambda prints mounted on alpolic, wood, iron, lacquer, and stones. Dimensions variable. Courtesy the artist, Taka Ishii Gallery, Tokyo, and IZU PHOTO MUSEUM, Shizuoka. Photo credit: Yasushi Ichikawa.Kimura’s work is currently on view at SculptureCenter as part of the Better Homes exhibition. 

sculpture-center:

Yuki KimuraUntitled, 2010. Two lambda prints mounted on alpolic, wood, iron, lacquer, and stones. Dimensions variable. Courtesy the artist, Taka Ishii Gallery, Tokyo, and IZU PHOTO MUSEUM, Shizuoka. Photo credit: Yasushi Ichikawa.

Kimura’s work is currently on view at SculptureCenter as part of the Better Homes exhibition. 

Reblogged from SculptureCenter
babylonfalling:

Ron Cobb / San Francisco Express Times / 1968
“Since I am a preacher by trade, I suppose it is not surprising that I have seven major reasons for bringing Vietnam into the field of my moral vision. There is at the outset a very obvious and almost facile connection between the war in Vietnam and the struggle I, and others, have been waging in America. A few years ago there was a shining moment in that struggle. It seemed as if there was a real promise of hope for the poor—both black and white—through the Poverty Program. Then came the build-up in Vietnam, and I watched the program broken and eviscerated, as if it were some idle political plaything of a society gone mad on war, and I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as Vietnam continued to draw men and skills and money like some demonic destructive suction tube. So I was increasingly compelled to see the war as an enemy of the poor and to attack it as such.
“Perhaps the more tragic recognition of reality took place when it became clear to me that the war was doing far more than devastating the hopes of the poor at home. It was sending their sons and their brothers and their husbands to fight and to die in extraordinarily high proportions relative to the rest of the population. We were taking the young black men who had been crippled by our society and sending them 8000 miles away to guarantee liberties in Southeast Asia which they had not found in Southwest Georgia and East Harlem. So we have been repeatedly faced with the cruel irony of watching Negro and white boys on TV screens as they kill and die together for a nation that has been unable to seat them together in the same schools. So we watch them in brutal solidarity burning the huts of a poor village, but we realize that they would never live on the same block in Detroit. I could not be silent in the face of such cruel manipulation of the poor.”
Quote from Declaration of Independence from the War in Vietnam, Martin Luther King’s landmark anti-war speech at Riverside Church in New York City on April 4, 1967

babylonfalling:

Ron Cobb / San Francisco Express Times / 1968

“Since I am a preacher by trade, I suppose it is not surprising that I have seven major reasons for bringing Vietnam into the field of my moral vision. There is at the outset a very obvious and almost facile connection between the war in Vietnam and the struggle I, and others, have been waging in America. A few years ago there was a shining moment in that struggle. It seemed as if there was a real promise of hope for the poor—both black and white—through the Poverty Program. Then came the build-up in Vietnam, and I watched the program broken and eviscerated, as if it were some idle political plaything of a society gone mad on war, and I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as Vietnam continued to draw men and skills and money like some demonic destructive suction tube. So I was increasingly compelled to see the war as an enemy of the poor and to attack it as such.

“Perhaps the more tragic recognition of reality took place when it became clear to me that the war was doing far more than devastating the hopes of the poor at home. It was sending their sons and their brothers and their husbands to fight and to die in extraordinarily high proportions relative to the rest of the population. We were taking the young black men who had been crippled by our society and sending them 8000 miles away to guarantee liberties in Southeast Asia which they had not found in Southwest Georgia and East Harlem. So we have been repeatedly faced with the cruel irony of watching Negro and white boys on TV screens as they kill and die together for a nation that has been unable to seat them together in the same schools. So we watch them in brutal solidarity burning the huts of a poor village, but we realize that they would never live on the same block in Detroit. I could not be silent in the face of such cruel manipulation of the poor.”

Quote from Declaration of Independence from the War in Vietnam, Martin Luther King’s landmark anti-war speech at Riverside Church in New York City on April 4, 1967

Reblogged from Babylon Falling
theparisreview:

A manuscript page from Simone de Beauvoir’s La Force de choses.

theparisreview:

A manuscript page from Simone de Beauvoir’s La Force de choses.

Reblogged from The Paris Review
likeafieldmouse:

Leslie Shows - Black Iceberg No. 1 (2008) - Ink on paper

likeafieldmouse:

Leslie Shows - Black Iceberg No. 1 (2008) - Ink on paper

Reblogged from not shaking the grass
futuramb:

A Real-Life Tricorder Is Now Available For You To Buy And Scan Yourself | Co.Exist: World changing ideas and innovation

Today, the Scanadu Scout tricorder is available for pre-order on Indiegogo. It’s a chance for early adopters to check out Scanadu’s technology, and an opportunity for Scanadu to gather some of the data it needs for FDA approval.

futuramb:

A Real-Life Tricorder Is Now Available For You To Buy And Scan Yourself | Co.Exist: World changing ideas and innovation

Today, the Scanadu Scout tricorder is available for pre-order on Indiegogo. It’s a chance for early adopters to check out Scanadu’s technology, and an opportunity for Scanadu to gather some of the data it needs for FDA approval.

hyperallergic:

Cooper Update: Trustee Culture and Leak

A 99% van projects a Free Cooper Union slogo on to the side of the Foundation Building (photography…

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hyperallergic:

Cooper Update: Trustee Culture and Leak

A 99% van projects a Free Cooper Union slogo on to the side of the Foundation Building (photography…

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Reblogged from Hyperallergic LABS